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Reviews (3)
Aug 21, 2019
Kinetex HPLC Column
Column worked find for my application.
Feb 04, 2008
3:10 to Yuma 2007
This is a solid good film, but not a "Forgiven".
The story's subplots wandered around in discontinuity, confusing me at times and detracting from the progression of the main story to the point of nearly annoying me. It was a fine idea to try to bring more character development and sense of "how-the-west-really-was" into this film than were part of the original film, but the way it was done cost this film the sustained suspense evoked in the original film. There were several places in this one I thought cost them the suspense factor that the original had. One was the run & shoot chase scene through the unfinished buildings that replaced the original "walk down mainstreet to the station" scene. One of the bad things that happens to audiences in a movie where a prolonged running shootout occurs is that after just so many bad guy "missed shots" occur, you are left with a surreal feeling that this is all made up Hollywood stuff that has no purpose except to showcase CG/special effects stunts. The audience knows how it is going to end so what is the plot point? I can't help thinking the director didn't really start out wanting to run that segment of the film in that way. But having run out of money to finish the town set, he had no proper mainstreet to do the walk-down. I think the movie's suspense factor suffered significantly from this compromise chase sequence, and to a lesser extent from extended background scenes and character development digressions.
Having aired my main complaint, let me go on with the minor one. I have to say that as good as the acting was, the scripted interplay between the characters of Ben Wade and Dan Evans was less edgy than I thought it should have, and know it could have been. Certainly, it was less edgy than in the original movie. Russell Crow is no Glenn Ford, whose portrayal in the original 3:10 I mark up there on the malevolently creepy scale right along with Robert Mitchum's portrayal of 'Preacher' Harry Powell in "Night of the Hunter". I remember being truly afraid of having nightmares of both portrayals when I first saw those two movies.
On the other hand, the original movie did leave me wondering why in the world Glenn Ford would get back on the train after the final shootout. There is no doubt "why" in this film. And there is very little doubt that, giving himself over to the jailer is but a symbolic jesture for Ben Wade, to show the respect he acquired for Dan Evans. But when he whistles for his horse from the jail car cell as the train pulls out, you understand he has every intention of not being in that jail car any longer than it takes to get out of sight of the town. And you know he can do it if he wants to. You can also project in your imagination the terrible possibility that when he is free again, Ben Wade would be fixated enough on Dan Evan's widow to seek her out and in an attempt to protect her from the railroaders and/or possess her, complete the destruction of that family, too.
Despite the tweeking of the dialog, character development and scenery and the acting chops of Russell Crow, Christian Bale, Ben Foster, Peter Fonda, Alan Tudyk and Logan Lerman really making this film a winner, all this "fleshing out" deminished the emotional impact of the movie for me. In the original, you can't quite grasp why Wade does what he does in the final scenes, so you left the theater with this unsettled feeling that haunted you for a while. Not so this film; I left content.
Jul 31, 2019
Teddy Goodluck Earrings united with daughter Valerie Balo's Pendant
Wonderful craftsmanship from Teddy Goodluck! Converted them to post earrings and gave them to a friend who has one of his daughter's large pendant hearts in the same style. Perfect match.